![]() ![]() It offers two sound engines (AWM2 and FM-X) that you can use separately or combine freely in composite sounds and multitimbral setups, plus highly evolved arpeggiation, multitimbral effects and a basic MIDI recorder, but no sampling capabilities and no audio/MIDI sequencing. Perhaps the most important thing you need to understand about the Montage is that it’s a synthesizer rather than a workstation. With new firmware that includes sounds, additional effects, more flexible modulation routing, and additional programming screens and facilities, Montage v1.5 now seems ripe for review. Almost inevitably there were a few niggles with early units and, with some patches, some players reported a small latency between pressing a key and the onset of the sound, But any initial problems appear now to have been eliminated. There had to be a time when Yamaha would attempt to reassert their authority and, when launching the Montage, the company were clear that this had been designed to be ‘the’ flagship synthesizer of the current era. More recently, the Motif and its many spin-offs have been hugely successful, but even the most powerful of these were eclipsed by the Korg OASYS and Kronos. Further releases suffered at the hands of the Roland D-50 and the Korg M1, followed by the Kurzweil K2000 and the Korg Trinity. But in the late ’80s and ’90s the company seemed to lose their edge. In the 1970s, the GX-1 and then the CS-80 defined the forefront of analogue synth development before, in 1983, the company almost single-handedly destroyed the market for large analogue polysynths when the DX7 swept aside the likes of Prophet 5, the OB8, and the Memorymoog. ![]() Yamaha were once the unassailable titans of polyphonic synthesis. But does it have what it takes to be the market leader Yamaha want it to be? If you’re a pianist, you’ll enjoy a realistic playing experience with piano-centric effects such as Damper Resonance and HD reverbs that put you right in the performance space.As its name implies, the Montage combines multiple technologies within a single, powerful instrument. Create a cool ducking effect with a sidechain compressor, or go full retro with the vintage-flavored VCM Phaser or Analog Delay. Effects such as Vinyl Break, Bit Crusher, and Beat Repeat are ideal for contemporary EDM production. Montage series synths are fortified with a powerful DSP effects engine that delivers everything from gloriously high-def reverbs to meticulously detailed VCM (Virtual Circuit Modeling) FX. ![]() Boasting an 8-operator FM architecture and 128-note polyphony, FM-X arms you with a massive sound design arsenal. AWM2, powered by Yamaha’s proprietary data compression and sound playback technology, delivers amazingly realistic sound reproduction, and almost ten times the waveform capacity of Yamaha’s MotifXF workstation! If you need a sophisticated synth engine, FM-X can deliver everything from vintage ’80s to modern EDM sounds, all with impressive dynamic range and sonic fidelity. The Motion Control Synthesis Engine controls and unifies Montage’s two sound engines, AWM2 and FM-X. Whether you’re a songwriter, gigging keyboardist, sound designer, or EDM producer, the Yamaha Montage will inspire you and elevate your creative game. Your fingers will fly on the Montage 6’s superb aftertouch-enabled, 61-note FSX semi-weighted keybed, as you modulate multiple parameters in real time with the aptly named Super Knob. Built on the legacy of Yamaha’s groundbreaking DX and Motif series keyboards, the Montage is driven by its programmable Motion Control matrix, which gives you fluid, interactive command over two powerful synthesis engines. Yamaha’s flagship Montage 6 Synthesizer streamlines your workflow and rockets your sound creation and modulation capabilities up to a whole new level. ![]()
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